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Charlamagne tha God Claims Big Sean Signed ‘Terrible Contract’ with Kanye, Owed $3 Million [VIDEO]




*Kanye West recently took aim at the music industry, dubbing it “modern-day slavery,” over the contracts artists are forced to sign, but Charlamagne tha God claims the rapper is taking advatange of his own musicians.

“When you sign a music deal you sign away your rights,” Kanye tweeted last month. He later vowed to return the 50 percent share of masters he has of artists signed to his label G.O.O.D. Music. 

One of those artists, Big Sean, told West in a tweet that the move would “help so much.”

Charlamagne claims Big Sean signed a “terrible contract” with Kanye and that he is owed millions. 

“The restraint that Big Sean shows to Kanye West is remarkable,” Charlamagne said on The Breakfast Club on Wednesday. “It lets me know that he really is a healed individual because Kanye West—I hope one day Big Sean tells his story. Just know, Kanye West owes Big Sean a whole lotta money, and he’s got Big Sean in a very terrible contract to be out here screaming about giving folks their masters back and all types of other things.”

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He went on to say… “That’s right, Kanye West owes Big Sean $3 million. Kanye West gets half of Sean’s profits and half of Sean’s royalties,” said Charlamagne. “Kanye wouldn’t agree to Big Sean getting his masters back from Def Jam. Kanye needs to do right by Big Sean. … Brothers, we have to stop doing that to each other ’cause we run around out here misleading other people and really being false prophets, but you’re not even doing right by your own people. Do right by your own people, ‘Ye.”

Charlamagne also addressed the situation with Andrew Schulz on the Brilliant Idiots podcast, saying he explained Kanye: “‘What you’re not telling people is that you negotiated with Def Jam/Universal four different times, and you chose the money over your masters every single time,” he told West, Complex reports. “You’re not telling people that you own the masters of Yeezus and every album of yours after that. And you weren’t telling the people that you owned the artists on G.O.O.D. Music’s masters as well, at least half of them.”

Hear mor from Charlamagne about it via the YouTube video above. 

Meanwhile, earlier, we reported …

Kanye attempted to upload his Universal Records contracts on Twitter last month, and referred to the music industry as “modern-day slavery.”

“Here are my ten Universal contracts … I need every lawyer in the world to look at these,” he posted before telling followers that the PDFs would not load on the platform.

In follow-up tweets, he shared screengrabs of 10 documents that included a profit sharing agreement and a recording agreement. Ye said of the images: “This is what me Kanye West deal looks like today … I PRAY IN THE NAME OF JESUS THAT IT DONT LOOK LIKE THIS TOMORROW.”


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Bhad Bhabie Responds to Backlash Over ‘Who Wants to Be Black?’ Comments [VIDEO]



Bhad Bhabie

Bhad Bhabie

*Bhad Bhabie hit up Instagram this week to apologise for her messy response to cultural appropriation accusations.

Earlier this year, the 17-year-old rapper took to Instagram live to clap back at criticism over her hair and makeup after she fans accused her of wanting to look Black. 

She responded with a rant in which she repeatedly asked, “Who wants to be Black?!?”

Many took that as a diss. 

“Y’all just want to hate me, no matter what I do,” she said. “I fuckin’ get my makeup done, now I’m Black! Get the fuck outta here … Thats the makeup light. It’s supposed to—I guess it’s not supposed to—but it just made me look darker … Y’all are stupid as fuck. If I wanted to be fuckin’ Black, you would hear me talkin’ about, ‘I’m Black. I’m Black.’ I would be sayin’ the n-word, I would be doing shit Black people do … Who wants to be Black!? I don’t understand that. I just can’t comprehend it.”

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Bhabie said she doesn’t try to “act Black” but admits she acts “a little hood.”

“I can’t help that I act a little bit ‘hood,’ or if I act what y’all would say is ‘more Black.’ I’m sorry, that’s the type of people I grew up around,” she said. “… Y’all say that I ‘try to be Black’ because maybe [the] reason is because I grew up in the hood. Tarzan, right? The story of Tarzan.”

Months later, Bhabie apologized over her comments because she said the haters and trolls won’t let her live it down. She claims her words are being twisted.

“I apologize to anyone who was offended by what I said,” she captioned a video explaining her rant. “Tt was not meant how it was taken. I would like for y’all to understand that I didn’t mean it in a bad way I was saying it like, ‘Who are you talking about?’ Not meaning it’s bad to [be] that. Please don’t twist my words. I truly never meant to offend anyone. This is the last time i will defend myself on this topic yall can’t twist what ever you want but I know what I truly mean.”

You can watch Bhabie’s full IG video explanation above.

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‘Billie’: New Doc Follows Both Holliday and the Meticulous Biographer Who Died Before Revealing Her Findings (Trailer)





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The Pulse of Entertainment: Pastor Ernest Gonder Releases New Single ‘For His Glory’ on Devine Jamz



Ernest Gonder (screenshot)

Pastor Ernest Gonder release ew single ‘For His Glory.’

*“I wanted the world to hear me,” said Renaissance man Ernest Gonder about his new single “For His Glory” (Devine Jamz Gospel) from an upcoming EP release. “That was my focus…but God did not allow it. Musicians didn’t work out. The studio had technical issues. I caught Corona and had pneumonia in both lungs. I heard the doctors say I wouldn’t be singing again. I said, ‘God, I hear you.’ I went back into the studio and all went well because this time it was for God’s glory.”

I call Ernest a Renaissance man because he does it all; he is a passionate Gospel singer/songwriter; a passionate Senior Pastor; a very talented musician, and a Lieutenant in the Fort Lauderdale Police Department. He is a hero on several fronts and I felt honored to have interview time with him to talk about his musical ministry.

The “For His Glory” single was written by Kendall Hunter.

“I can’t wait for Thanksgiving, I have a video coming out, it’s a music video for the song,” said Pastor Gonder (watch it below).

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On the “For His Glory” single, he shows us that God has the final say-so and when you listen to Ernest’s vocal delivery after doctors said he wouldn’t be singing again – its evident. It has been shown through my own family experiences that when man or doctors say no, God can turn it around and say “yes.”

“It’s about people going through abusive relationships and experiencing death,” Lt. Gonder pointed out about the “For His Glory” music video. “I wasn’t the writer of the song. Kendall Hunter was the writer of the song. I had just got the ‘call’ to minister through music. I relinquished my church to another Pastor – I’m Associate Pastor now. And in 2019 I went to record it and it didn’t work out.”

We now know why and that evidentially it did work out for him in the studio when Ernest Gonder’s mind went from his glory to God’s glory.

On being the ultimate symbol of a man in service to his community Ernest said, “It’s one of the reasons I’m in law enforcement and ministry (he likes to serve). And with my family, I’m happy and fulfilled.”

On being a law enforcement officer he said,” I’m able to empathize with what most people are going through. I’ve been in it and through it with them. Being a victim or being in need – I’m able to understand and sympathize.”

Ernest Gonder (screenshot)

Ernest Gonder (screenshot)

That empathy translates through his vocal performances, and his song choice and content. His empathy is evident when you hear his new single “For His Glory.”

SYNDICATED COLUMN: Eunice Moseley, MS, MBA, MPhil has an estimated weekly readership of over ¼ million with The Pulse of Entertainment. She is also a Public Relations Strategist and Business Management Consultant at Freelance Associates, and is Promotions Director (at-large) for The Baltimore Times. EVENTS: “Uplifting Minds II” Entertainment Conference (ULMII), founded by Eunice in 1999, is into its 21st year. Next events are coming to Los Angeles Saturday, November 7, 2020 via Zoom Video Conferencing and to Baltimore Saturday April 17, 2021 at Security Square Mall. The ULMII event is a free conference offering an Entertainment Business Panel Q&A Session, a Talent Showcase and Talent Competition (vocal, songwriting, dance and acting) where aspiring artists have a chance to receive over $15,000 valued in prizes/product/services.  Log onto for more information or to RSVP for Zoom Access email [email protected]


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